english fourfourteen

I do so like sometimes working with obvious obstructions, discovering the challenges of the infinities within tight, cramped spaces

--equally (really should be qualified, but...) infinite as more common varieties of "infinite" usage, but not nearly as big. Infinities as infinite but different sizes.

I attempted this with LFMK
(you can read some of those LFMK text poams, published in "The Canary," at this link:http://www-personal.umich.edu/~thyliasm/ThyliasMossProofs.pdf)
an ongoing (of course) project exploring repetition, routine as lure; how stabilizing systems become better attractors as they acquire predictability (that at some point on some scale) will change --possibly because of interactions from ensuing attractions. Each text poam (there's video poam also [http://www.youtube.com/watch?v=aqQWGsWftBg]
that was part of last year's rEvolution show); each text poam has at the top (convenient reference) left of the page a gray-scale quote by Einstein, the shadows of which in which all happens, the shifts he brought about.
A woman, possibly the same in all LFMK routines, but not a required sameness, a woman begins her routine, Ludlow's Smoker's Palace referred to in the first few lines, to bend and warp the local universe, to exert some weak force gravity --the woman starts from the Palace and makes her avilabkle to attack so as to save other women who can't be the target of the one for whom she is the targer while she's being attacked. Every day she rises at the Palace, sets at the Palace. The days themselves are not in the chronology of time as that is generally known here, but in the chronology on English language alphabet, according to the first word of a phrase pulled from the relatively short text-magnet poams (without a particular word-length limit). The starting place, the rising from the Palace is the plot; of les importance is the order of the days, so the alphabetizing of prominent phrases.

A Great Investigation!