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<title>James eng240</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/" />
<modified>2007-12-17T22:49:58Z</modified>
<tagline>English 240: Limited Fork Blogging</tagline>
<id>tag:mblog.lib.umich.edu,2013:/~ndjames/5840</id>
<generator url="http://www.movabletype.org/" version="3.17">Movable Type</generator>
<copyright>Copyright (c) 2007, ndjames</copyright>
<entry>
<title>System of Enclosure</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/12/system_of_enclo.html" />
<modified>2007-12-17T22:49:58Z</modified>
<issued>2007-12-17T22:04:25Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.37169</id>
<created>2007-12-17T22:04:25Z</created>
<summary type="text/plain">At first, I struggle a bit with my system of enclosure, there was too much variability for me, I was lost and didn&apos;t know what direction to go in. But after talking with Professor Moss, I was a bit re-guided...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>At first, I struggle a bit with my system of enclosure, there was too much variability for me, I was lost and didn't know what direction to go in. But after talking with Professor Moss, I was a bit re-guided in my decision making, and certainly less frustrated. I chose as my system of enclosure a visual display that best sums up my posts, connects them together, shows how they are intertwined, points out the <em>forks</em> between them and best expresses my approach to poetry and how that was represented, and evolved in this class. </p>

<p>The idea that I had was to take all of my blogs and write the title of each on the same piece of paper, and then below each name of the post, to find the major themes of the post, and take this idea, and find someway that all of the ideas connect. Admittedly, before I started working on this project, I had no idea how the posts would fit together, I had some thoughts in mind (one I remember in particular was all of the posts arranged along the outside making up a circle and on the inside all of the topics) of how this would come up, but was dedicated to it being a fluid idea, one that could adapt and change as I was working on it. </p>

<p>My first step was to write out the titles of all of my posts, and the major themes addressed in each. The pictures of those are below.</p>

<p><img src="http://www-personal.umich.edu/~ndjames/English 240 Enclosure1.jpg"></p>

<p>and </p>

<p><img src="http://www-personal.umich.edu/~ndjames/English 240 Enclosure2.jpg"></p>

<p>After I had finished this step is where the real brainstorming came in. I had to think of a way that could best represent what this blog represented, and how in one post I could sum it up. I started by taking all of the major themes and seeing how many of them overlapped, which turned out to be a lot. Since I saw that compared to the number of posts, the number of themes was much less, so I started thinking back to this idea of having the themes in the middle, and the posts on the outside. So I started thinking about what shape, or what configuration would best represent what was in the blog. The idea that came to me was to have all of the themes arranged in the middle lined up, and then the post titles on both sides. My resulting configuration is shown below:</p>

<p><img src="http://www-personal.umich.edu/~ndjames/English 240 Enclosure3.jpg"></p>

<p>What things in this represent this blog? Well it was built from the middle out. The themes are arranged from the one most referenced (personal impact) in the middle to the ones least referenced (overlapping meaning) on the outside. The posts were arranged from the middle out as well, but by date as the guiding factor. This represents how the blog was built, I started at the beginning and added posts that helped to fill out the bulk. As can be seen, this <em>mapping</em> is a complex systems, where there is a system of connections, and much overlapping between topics. I think this arrangement best suited my blog because the 'neatness' of the arrangement appeals to me as an engineer. I also found it very interesting that there is no post that is completely isolated from the others. Each poem can be related to all the others through the themes.</p>]]>

</content>
</entry>
<entry>
<title>2D Map</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/12/2d_map.html" />
<modified>2007-12-18T00:19:03Z</modified>
<issued>2007-12-17T17:14:38Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.37172</id>
<created>2007-12-17T17:14:38Z</created>
<summary type="text/plain">I&apos;m finally posting my 2D map that goes along with my 3D map of &apos;The Lightning is a Yellow Fork.&apos; What this 2D map represents is the 2nd highest layer that my 3D map showed, the transition from the earth...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>I'm finally posting my 2D map that goes along with my 3D map of 'The Lightning is a Yellow Fork.' What this 2D map represents is the 2nd highest layer that my 3D map showed, the transition from the earth to the nebula, from something tangible to the (almost) intangible. This was represented in the 3D map as going from the nebula, to a system of nebula's. I liked the idea of layers, and this seemed to be the most basic framework for the layering system which I set up in my 3D map.</p>

<p><img src="http://www-personal.umich.edu/~ndjames/2D Map.jpg"></p>]]>

</content>
</entry>
<entry>
<title>The Great Situation ID Challenge</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/12/embed_image_cod.html" />
<modified>2007-12-11T01:13:42Z</modified>
<issued>2007-12-08T16:03:57Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36927</id>
<created>2007-12-08T16:03:57Z</created>
<summary type="text/plain">On Monday, we were given Play-doh and asked to express the list of situations/properties(plural)/properties(possessive) of the fork using the play-doh. I thought that the best way to document what my group made was to take pictures and provide an explanation...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>On Monday, we were given <a href="http://www.hasbro.com/playdoh/"target="_blank">Play-doh</a> and asked to express the list of situations/properties(plural)/properties(possessive) of the fork using the play-doh. I thought that the best way to document what my group made was to take pictures and provide an explanation for each of our pictures in my blog. The first picture can be seen below.</p>

<p><img src="http://www-personal.umich.edu/~ndjames/Forking 1.jpg"></p>

<p>This picture represents several things. The representation was to try and convey the fork as a weapon, which we likened to a Trident. A trident also conveys a source of power: that which yields the fork, yields the power. We included the negative of the trident to express that the trident doesn't just take this form, but it is shaped from a different existing shape.</p>

<p>The next picture, that can be seen below, shows several things.</p>

<p><img src="http://www-personal.umich.edu/~ndjames/Forking 2.jpg"></p>

<p>This picture is more a representation of our group, and the <em>forces</em> behind how we came up with the ideas that stood for the fork. The 4 spheres serve to represent 2 things, since our group was made of two girls and 2 guys, we had two different perspectives going into the fork ideas. The two groups of different sized spheres represent the positive and negative forces (the two genders, I won't specify which is positive and which is negative) that came together to create the ideas. The wheel contrasts the separation of the spheres, and shows the unity that our group found in collaborating on ideas that we all agree best represented the goals of our assignment.</p>

<p>The next two pictures show two different perspectives of one creation.<br />
<strong><br />
A side version:</strong><br />
<img src="http://www-personal.umich.edu/~ndjames/Forking 3.jpg"></p>

<p><strong>A version that gives a bit more perspective and definition of the whole:</strong><br />
<img src="http://www-personal.umich.edu/~ndjames/Forking 4.jpg"></p>

<p>The pictures above show the fork as a chair, this has multiple meanings. The first, and most obvious is the literal meaning. But the representation also serves as a fork being a place for ideas to rest. I felt that this has been a valid point for me, as the semester has gone on I have found that blogging (or forking) has provided a way for me to express things that I think about, most often the things that are going on in my life currently has an effect on what I choose to blog about.</p>

<p>The next picture is of a computer, which represents the programming command fork(). </p>

<p><img src="http://www-personal.umich.edu/~ndjames/Forking 5.jpg"></p>

<p>The representation of fork() shows an arrangement of the word fork, which is a situation of fork. In programming, a function was thought of, and the best way for programmers to remember what this program did was to give it a very common name: fork(). What this command does is to represent a process that copies itself by <em>forking</em> or <em>branching out.</em></p>

<p>The final picture that we have is a diagram that is easily recognizable, and it is a fork as a utensil, or a tool for eating. </p>

<p><img src="http://www-personal.umich.edu/~ndjames/Forking 6.jpg"></p>

<p>We felt this last idea captured and pulled together our whole ideas' of a fork. The utensil is the most most used situation of the fork, which is why we kept and presented it last, as it is the thing that is most recognizable. </p>]]>

</content>
</entry>
<entry>
<title>My Illumination</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/12/my_illumination.html" />
<modified>2007-12-10T22:19:13Z</modified>
<issued>2007-12-05T21:39:54Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36917</id>
<created>2007-12-05T21:39:54Z</created>
<summary type="text/plain">Since we&apos;ve receive the illumination assignment I&apos;ve continued searching for a piece of poetry that truly illuminates me. Its been a struggle, because I was able to find many different pieces of poetry which have meant something to me, but...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>Since we've receive the illumination assignment I've continued searching for a piece of poetry that truly illuminates me. Its been a struggle, because I was able to find many different pieces of poetry which have meant something to me, but nothing that sticks out above the rest, until now. My illuminating poem is <em>In Harbor</em> by Constantine P. Cavafy. The translated version is below:</p>

<p>A young man, twenty eight years old, on a vessel from Tenos,<br />
Emes arrived at this Syrian harbor<br />
with the intention of learning the perfume trade.<br />
But during the voyage he was taken ill. And as soon<br />
as he disembarked, he died. His burial, the poorest,<br />
took place here. A few hours before he died,<br />
he whispered something about "home," about "very old parents."<br />
But who these were nobody knew,<br />
nor which his homeland in the vast panhellenic world.<br />
Better so. For thus, although<br />
he lies dead in this harbor,<br />
his parents will always hope he is alive.</p>

<p>To better understand why this poem means so much to me, I need to share a little bit about my family history.</p>

<p><strong>Family Origins</strong></p>

<p>There is so much that I can say about my families origins, I'm going to try and keep this history to the point, and not get sidetracked too much. My family is of Greek descent. (My fellow student Henry is also of Greek descent, which may seem like quite the coincidence since we both went to high school together, and come from the same hometown, until you know more about the Greek community in Canton, Ohio. Many Greeks settled in Canton and the Greeks within Canton are a very close knit community, which also can help to describe Henry and I's great friendship, on the basis of similar cultural and family backgrounds.) The Greek side of my family is my father's side, which helps to explain why I am so close with this side of my family. My both sets of great-grandparents on my father's side of the family immigrated to the United States in the early 1900s, from what is now modern day Turkey. Now when is say this, most people think 'How can you be someone of Greek descent if you're from Turkey?' Well, up until the early 1900s, when my family moved, Greeks were spread all throughout Greece <em>and</em> Asia Minor. Greeks lived amongst the Turkish people in Asia Minor, until the Turkish government decided to start persecuting the Christian Greeks and either killed them or forced them to leave their homes. My family, and many of the Greek people in Canton are of Pontian descent, and originate from the Pontic Mountains on the Northern Shores of Turkey, along the Black Sea. Because of their location so far into the mainland of Turkey, and so far away from Greece, the Pontians were persecuted harshly. Many stories of my childhood were about how all the people in the villages were forced to leave their homes and everything they knew, and find a new life where ever they ended up. Many times family's were split apart, sometimes being rejoined, other times not. I heard stories of how certain family members would take all that the family owned to sell and come to America, that whoever had the best shot at finding a way to make money to save the rest of the family was given all of the items a family possessed to make that happen. One specific family that my grandmother still tells to this day, is of how her father traveled back to Greece after he had settled his family in America to find his brother, but when he went back to his old village it was completely gone, and never being able to find his brother.</p>

<p>When I first read the English form of this poem, I knew that it resonated with me, and had meaning. It is the story of a man from Greece that is trying to do better for himself. But bad luck falls upon the man and he becomes ill and dies, and those who he is around when he dies has no idea who his family is, or anyway to let them know what has happened. This poem represents so much more than the words that are written on the page. For me, it reminds me of the history of my family, and the history of the Greek people. It brings to mind that along with the struggle and success there was also failure.</p>

<p>The man comes with rich dreams to a land which is unknown to him, but to which he has journeyed for the promise of hope. His dream ends abruptly, and since he has come with nothing, he is recognized in a quick and cheap, an almost anonymous burial. But even though this man has the anonymous burial, he is being mentioned in the poem, as a representation of many people who have suffered similar fates. As the man is dying, he speaks of his family. The poem shows the futility and hardships that some people experienced when they left their homes by leaving the names and locations of his parents anonymous. Even though their son has died, the dream lives on with the parents that he has come to something better, so regardless of their knowledge of their son, they are able to go about their lives more peacefully without knowing that he is dead.</p>

<p>This poem was originally written in Greek, and although I am sure it is much more eloquent in the native language to someone who has a solid grasp of the Greek language, the words of this English translation are what mean the most to me. It reminds me of the pride that I have in where I have come from, but also helps to not let me forget all of the sacrifices that were made so that I can be where I am today.</p>]]>

</content>
</entry>
<entry>
<title>Response to: Transient Poams</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/12/response_to_tra.html" />
<modified>2007-12-10T21:09:30Z</modified>
<issued>2007-12-03T20:39:02Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36899</id>
<created>2007-12-03T20:39:02Z</created>
<summary type="text/plain">Part of Professor Moss&apos; post on &apos;Transient Poams&apos; poams states: &quot;What can you say about intention when the poam melts, floats away, collapses, is carried away in its components by water, etc.?&quot; When I read this, several thoughts came to...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>Part of Professor Moss' post on 'Transient Poams' poams states:</p>

<p>"What can you say about intention when the poam melts, floats away, collapses, is carried away in its components by water, etc.?"</p>

<p>When I read this, several thoughts came to mind and inspired some reflection about why things are made, and their purpose behind them. I have talked in previous entries about the purpose behind writing poems, and I feel like many of these things apply to the making of poams. It depends on the intended audience, but I feel when poams (or poems) are analyzed, a great deal also matters what the intention was in making the poam. The quote above, by saying 'melts away' immediately made me think of snow men (since it is winter). What is the purpose in making a snow man? How is this a poam? Snow men are usually just made for fun, its snowing outside and what better way to enjoy it than make the likeness of a person out of snow? Another poam that has been created every year I've been at UM has been the project that is conducted in the diag every spring. I'm not sure who does it, but there are many parts that come together into many different parts of the diag, all expressing different things. But the things that are built and put together are not permanent, so what lasting impression is there when the things are taken down, or are destroyed by the harsh spring weather?</p>

<p><strong>Lasting Imagery</strong></p>

<p>The example of the snow man seems one that is much easier to analyze. Its made as a product of finding a way to enjoy the cold weather and the snow with other people by making a piece of art out of the snow. Most intend to make something that is unique and that people will recognize and remember. Since I've seen many snow men throughout my life (since I'm from Ohio and snow isn't something that is new to me) it takes an extraordinary snow man to stick out in my mind. My point: I've seen hundreds of snow men, but when I think of a 'snow man' the only ones that stick out to me are those that were unique, ie huge ones, really small ones, ones with distinct features.</p>

<p>This same idea applies to the work of art that has been in the diag. Since I have seen it for 3 years now, I have been exposed to it enough that it is not something that is new to me, and I am not particularly shocked or taken aback when i see it appear in the spring. What does stick with me are the individual aspects of it that are unique: one year a geometric design of windmills covered one open area of the diag. </p>

<p>Not all things are intended for a last impact. In fact, I would assume that most of our current monuments where not designed with the intention of lasting hundreds or even thousands of years. They were designed for the impact and functionality 'right now' (whenever that 'right now' may have been). The monuments and poams that have outlasted their functionality, ie the Parthenon, or Stone Henge, serve an auxiliary purpose for us by still being there. Their design was mainly functional, and lasting for as long as these things have was mainly a product of their construction and chance. Any of these things could have been torn down or destroyed by a natural act, but weren't. Some things are designed with the knowledge that they will only last a certain period of time (the snowman lasting throughout the winter, or many even just a few days), but the difference between the effect that a poam has 'right now' can be the same whether the poam is a building intended to last a certain amount of time or one that has lasted throughout the ages.</p>

<p>I also found interesting the quote by Claude Debussy at the bottom of the relationship between music and color and the ways that they express ideas. When I saw the name Claude Debussy I immediately knew of one of his most famous piano suites, 'Clair De Lune,' which I know means 'Light of the moon' or 'moonlight.' Was this piece that he created a way of expressing what moon light meant to him? I did some searching around and found a very interesting <em>transient poam</em> of Claude Debussy's 'Clair De Lune.' This work takes the piano score and visually shows the song as it progresses. There is also an interesting representation of color in the piece, which helps to remind of Debussy's quote about color, music and ideas.</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/LlvUepMa31o&rel=1"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/LlvUepMa31o&rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Enjoy!</p>]]>

</content>
</entry>
<entry>
<title>Illumination: Sunday Morning (the poem and poam)</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/illumination_su.html" />
<modified>2007-12-10T19:59:06Z</modified>
<issued>2007-12-01T04:24:59Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36259</id>
<created>2007-12-01T04:24:59Z</created>
<summary type="text/plain">Several weeks ago in class, we were asked to take time out of class to go and ask people what poems illuminated them. While myself and several other students were in the process of asking one student this question and...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>Several weeks ago in class, we were asked to take time out of class to go and ask people what poems illuminated them. While myself and several other students were in the process of asking one student this question and describing our assignment, a girl passing by told us that she was with a group that was doing something she thought we would be interested in. So we followed to passerby, and met the cast of Sunday Morning, a production that was put on earlier tonight, and will be performed tomorrow at 1pm and 8pm in the Duderstadt. <a href="http://www.web-books.com/classics/Poetry/Anthology/Stevens_W/Sunday.htm"target="_blank"> Sunday Morning </a> is a poem by Wallace Steven's. What the group that we met did was they all read the poem, and then spent several weeks brainstorming what the poem meant to them, and how the best way to act out what the poem meant to them could be accomplished. Then, with the direction of a director, and the help of a writer to record and revise all of their ideas, they made performance of their best interpretation of Sunday Morning, which I attended along with Henry, who had also talked with the group putting on the production.</p>

<p>Before I attended the production tonight, I read the poem several times. The first time reading the poem I didn't have a good sense for what was going on, and what was being described, because the poem is longer than most I am familiar with and has a unique way of describing what is being talked about. After rereading the poem several times, I started to gain an understanding of what was being described. The poem talked of the last days of life of an individual, the things that were observed and then the journey to the afterlife, and the experiences of this person there. Many things are described in detail in the poem, of what I interpreted to be those last days on earth of the individual and the interactions with the things around that person. After just reading the poem, I can't say that I had any specific illumination, because it was hard for me to relate to the poem. The poem to me, seemed general and not specific enough, which has always been a tough concept for me to grasp. But then I attended the show.</p>]]>
<![CDATA[<p><strong>The Production (or poam)</strong></p>

<p>I want to first preface what I am going to describe by saying that it is very rare for me to attend a production like Sunday Morning, whether that is due to apathy or ignorance I cannot say, but I am glad that the circumstances fell into place for me to have the opportunity to attend, because the production was wonderful. This was exemplified by the fact that when I read the poem before I attended I couldn't relate or make any connection to it, but after I saw the production I was able to better understand the groups interpretation of it. They made it more personal, it was the story of a certain person moving from life to afterlife, and his experiences before and after he was 'living.' They also added a comedic element to the poem which made it even easier for me to relate to. Seeing the poam as the man's journey and interactions his last days on earth, instead of just an individuals journey had a lot more resonance with me. When I think of the poem Sunday Morning, instead of relating to the words of the poem, I will make a much stronger connection to the poam because it was so visually appealing and took advantage to the fullest the positives of a 3D mapping. Being able to see and hear left much more of a profound impact on something I was already familiar with than the words themselves did.</p>]]>
</content>
</entry>
<entry>
<title>Situation ID Challenge Thoughts</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/situation_id_ch.html" />
<modified>2007-12-03T22:04:38Z</modified>
<issued>2007-11-29T21:30:32Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36250</id>
<created>2007-11-29T21:30:32Z</created>
<summary type="text/plain">As my group was trying to determine our situations of fork, properties of fork (plural), and property&apos;s of fork (possessive), several things came to mind. It seems that for all of the situations of a fork we were able to...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>As my group was trying to determine our situations of fork, properties of fork (plural), and property's of fork (possessive), several things came to mind. It seems that for all of the situations of a fork we were able to develop, they all fell into one of three categories: either as a utensil, an accessory (decoration or functional as in a hair tie), or as a tool not used for eating (for digging, perhaps). But even as I write this post, the overlap and need for clarification between all three becomes relevant. Even the classifications of tool and utensil are overlapping, since a utensil is a type of tool. Even so, I found that the best clarification were the 3 that I laid out before. Within each subcategory, there are numerous variations of a 'fork.' Example: For the utensil clarification, there is entire <a href="http://en.wikipedia.org/wiki/Fork"target="_blank"> section of the wiki article on forks </a>that gives over 20 examples of different classifications of forks used for eating. In addition to that, the <a href="http://en.wikipedia.org/wiki/Fork_%28disambiguation%29"target="_blank"> disambiguation page</a> for forks also has other listings of situations of forks, but the overall idea is that they all fall into one of the main categories I laid out before.</p>

<p>The properties of a fork (both plural and possessive) seem to originate from the different situations of a fork. </p>

<p>More to come on this idea after next Monday's class. </p>]]>

</content>
</entry>
<entry>
<title>Illumination: Unspoken Relationships</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/illumination_un.html" />
<modified>2007-12-03T20:13:35Z</modified>
<issued>2007-11-28T22:22:25Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36232</id>
<created>2007-11-28T22:22:25Z</created>
<summary type="text/plain">In my search for illuminations I&apos;ve had to do a lot of looking back to find things that I have found illuminating because I&apos;ve had quite a bit of trouble realizing whether things are illuminating or not in the moment....</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>In my search for illuminations I've had to do a lot of looking back to find things that I have found illuminating because I've had quite a bit of trouble realizing whether things are illuminating or not in the moment. To help you understand this illumination I need to explain my family. I live with my dad and my two younger brothers: Alex who is 17, and Zach who is 12. My dad has been a great influence in my life, and I credit him with helping to mold me into the person I am today, and have told him this numerous times. One of the things that he has always stressed with my brothers and I is how important it is to him for the three of us to be close to one another. Here enters the conflict. Since Zach and I have such a large separation in age, our relationship is more of one where he looks up to me, trusts everything I tell him, and we almost never disagree. My relationship with Alex is, well, different. Since we are a lot closer in age, my dad compares Alex a lot with me, which in all honesty isn't fair to Alex, since he is a different person, but it still happens. Alex is different from me in the fact that he is very hard headed, he doesn't deal well with being told that he's wrong when he thinks he's right, and doesn't do a good job with expressing what he's thinking, which gets passed on to me a lot when my Dad vents his frustrations with Alex and his college search to me. Since I have been away at college, I've tried helping Alex with a lot of the things he's dealing with in high school, since it wasn't long ago that I went through the same thing. Most of the advice I have tried to give has resulted in conflict, with Alex being one of the most frustrating people that I care about to try and deal with on a consistent basis. To summarize: Alex is hard to understand, mostly because he doesn't communicate which makes it frustrating for me because I am in a position where i want to help him as much as possible. So now, on to the illumination.</p>]]>
<![CDATA[<p><strong>Illuminating moment</strong></p>

<p>Several weeks ago, right after the elections in November, I got a phone call from one of the teachers I had in high school who has Alex in his history class right now. After talking about how I was doing, and how my teacher was doing, he congratulated me on having such a great brother, and couldn't stop with the compliments about what a great person my brother was. My initial reaction was, as you can imagine, shock, although I know my brother to be a very personable individual person with anyone that is not his own family, I didn't think someone's personality alone could garner such complimentary remarks. So then my teacher explained it to me. A representative from the Stark County Board of Elections had approached my former teacher trying to find students who would be interested in working at the polls and getting paid, since the county had a shortage of poll workers. He then explained how my brother, in addition to signing up to work, had taken the idea a step further. Alex approached his Speech Team adviser (who also teaches speech class at the High School) about this as a potential fund raising opportunity for the Speech Team. The Speech Adviser told my brother that she thought it was a good idea, but that if he wanted to do it, he would need to organize it. From there, my brother made contact with the director of the Board of Elections, who gave him the okay for the idea. Then, Alex made a presentation to all of the speech classes at the high school about the idea, and got somewhere around 20 people to sign up to work at the polls, and in addition to that got each of those 20 people to donate all of the ~$100 they would make in the day to the speech team.</p>

<p>I didn't know what to say. I still have trouble describing what I feel about it, other than to say that this was an illuminating moment. The fact that my brother had this idea, and saw it through to completion is still amazing to me. To through this one act, that even though he is a much different person than I am, he is still able to be successful was an illumination.</p>]]>
</content>
</entry>
<entry>
<title>University of Michigan Football: A Guide to Illumination</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/university_of_m.html" />
<modified>2007-12-03T19:50:46Z</modified>
<issued>2007-11-27T17:00:27Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.36229</id>
<created>2007-11-27T17:00:27Z</created>
<summary type="text/plain">One of the more illuminating phrases (can this be considered a poem? or a poam at least?) that I have come across at my time here at the University is a quote that come from the former football coach Bo...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>One of the more illuminating phrases (can this be considered a poem? or a poam at least?) that I have come across at my time here at the University is a quote that come from the former football coach Bo Schembechler. The quote is 'Those Who Stay Will Be Champions.' </p>

<p><strong>History</strong></p>

<p>I didn't know much about this phrase before watching a recent <a href="http://www.hbo.com/events/rivalry/"target="_blank">HBO Documentary</a> on the Ohio State/Michigan rivalry. I knew who had said it, and that it was intended for the football team, but didn't know the context in which it was applied. One of the first things that Coach Schembechler did when he was hired as the head football coach was to put up the phrase 'Those Who Stay Will Be Champions' in the locker room. When football practice started, and the workouts were intense players started to quit, he referred to the quote he had put up in the locker room. If you know anymore about Coach Schembechler's first year as head coach, he lead the Michigan team to a huge upset victory over Ohio State, fulfilling the phrase that 'Those Who Stay Will Be Champions.' A nice write up about the phrase with an attached picture can be found <a href="http://thosewhostaywillbechampions.blogspot.com/2006/05/those-who-stay-will-be-champions.html"target="_blank">here.</a></p>]]>
<![CDATA[<p><strong>Lasting Meaning</strong></p>

<p>So how can something that was introduced 40 years ago to a football team still carry meaning today? Anytime I get on AIM or Facebook, its hard not to find someone from Michigan that has this quote in their profile or on their Facebook page. Although the quote was originally intended for the football team, it carries for so many people here at the school. It is probably the most widely used and recognized quote that I find that students can relate to at the University. For me, it also holds special meaning. When I came to the University, I really didn't know what to expect. I thought I had attended an above average high school, I knew that I was going to have to work and wasn't completely sure what to expect but was pretty sure that nothing was going to beyond my abilities. After my first round of exams, I had one of the rudest awakenings of my life. All the work that I had put into my classes to study hadn't been focused on the right things, or to the depth to which I needed to understand. By the end of the first semester, not much had changed, I had tried to change my study habits with little positive result. At the end of the first semester I was seriously considering transferring schools. When I was able to go home for Christmas break I was able to talk with my parents, with my dad giving me the strongest advice. He reminded me of what I had accomplished in high school, and how I had achieved those things. He helped me to look at the bigger picture, and helped me understand that instead of looking at my first semester as a huge setback, I should look at it as a stepping stone. He gave me his perspective on my situation, but left my decision up to me. I could transfer schools if I wanted, but I was accepted here for a reason. I obviously decided to stay and used that first semester as a challenge to myself, and to what I believed in and am now on the verge of graduating from one of the best Engineering schools in the country, with numerous job opportunities. The phrase 'Those Who Stay Will Be Champions' has certainly held a lot of weight with me, and held true for me as well. I feel like it is something that I will keep with me the rest of my life, and something that I will use to fall back on in times of conflict, whether it be with a job or whatever. This phrase carried me through my time here at school which up to this point, has been one of the biggest challenges that I've had to overcome. This is way I look at this as one of the most influential 'illuminations' for me.</p>]]>
</content>
</entry>
<entry>
<title>Illuminating</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/illuminating.html" />
<modified>2007-11-26T22:44:36Z</modified>
<issued>2007-11-26T22:08:25Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.35741</id>
<created>2007-11-26T22:08:25Z</created>
<summary type="text/plain">I think for myself, the best way to start off with the illumination project (assignment sounded much too obligitory) is to try and define illiumination, what the word means to me, and how I process &apos;illuminations.&apos; When I first tried...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>I think for myself, the best way to start off with the illumination project (assignment sounded much too obligitory) is to try and define illiumination, what the word means to me, and how I process 'illuminations.' When I first tried thinking of illuminations that I have come across, I was a loss for times when I had experienced such a feeling, which is what let to my having to define it for myself. So I start with my best attempt at explaining what an illumination is to me: </p>

<p><b>An illumination is:</b> an idea that captivates my mind, something that I never considered before or something I thought wholely impossible.</p>

<p><b>An illumination is:</b> Something that, given the context of the situation, rises above what would normally be expected</p>

<p><b>An illumination is:</b> A visual display that not only draws attention, but begs for additional consideration, and sticks in the mind</p>

<p><b>An illumination is:</b> A moment where a significant realization, good or bad, but best defined by a realization that opens the door for most possibilities in the future to consider things beyond the expected</p>

<p>So, over the past week since the last time I was in class, I started to compile a mental list of things that I found illuminating, and will be sharing them in subsequent posts. </p>

<p>My first illumination that I am choosing to share came on Thanksgiving morning. I was at home in Canton, Oh, where it was a not too toasty 35 F outside, which can be a very hard environment to experience an illumination in, which makes it all the better that I did. </p>

<p>This Thanksgiving morning was the 11th annual Perry Rotary (Perry is the township I live in, and the high school I attended) Turkey Trot. So why would a Turkey Trot, a 5k to be exact, be illuminating? If you've ever been to a cross country race, you might know. In all my experiences of different sporting events, its the only one where everyone is cheered for, there is no negative cheering (against another team), everyone that finishes is congratulated by the spectators, and thus, my illumination.</p>

<p>On the cold Thursday morning, each of the roughly 1200 runners was congratulated by the group of spectators (myself being a spectator, and we were far outnumbered by the participants), from the runners sprinting to a finish after a short 16 minutes, or the slower, yet still determined joggers/walkers that started funneling in after a half hour. Each was greeted the same, with no more congratulations for the winner, and no less for the people struggling, but determined to finish. To be part of and experience such a positive event on such a cold and dreary was truly illuminating. To see a sporting event that so sharply contrasted those which we are used to was illuminating, and for anyone who has not been to a race, I suggest standing at the finish line of one at your next opportunity.</p>]]>

</content>
</entry>
<entry>
<title>Ezra Pound</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/ezra_pound.html" />
<modified>2007-11-26T21:32:36Z</modified>
<issued>2007-11-26T21:31:25Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.35734</id>
<created>2007-11-26T21:31:25Z</created>
<summary type="text/plain">An interesting mapping I found of Ezra Pound....</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p><a href="http://thecontaminated.com/wp-content/uploads/2007/11/ezra-pound.jpg"target="_blank">An interesting mapping I found of Ezra Pound.</a></p>]]>

</content>
</entry>
<entry>
<title>Sestina&apos;s in Action (Foam!)</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/sestinas_in_act.html" />
<modified>2007-11-19T22:31:02Z</modified>
<issued>2007-11-19T22:13:43Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.35443</id>
<created>2007-11-19T22:13:43Z</created>
<summary type="text/plain">When first trying to consider what type of real life example could be a Sestina I first struggled to come up with an example. I had to think hard because it seemed that at first I wasn&apos;t aware of anything...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>When first trying to consider what type of real life example could be a Sestina I first struggled to come up with an example. I had to think hard because it seemed that at first I wasn't aware of anything that fit into this category. Then it hit me. I have a ton of hands-on experience with Sestina's from this past summer. A Sestina is something that is regulated to a fixed form, a specific set of rules that govern the construction of a poam. This summer I worked at <a href="http://www.huntsman.com/pu/"target="_blank">Huntsman Polyurethanes</a>. What's a <a href="http://en.wikipedia.org/wiki/Polyurethane"target="_blank">Polyurethane?</a>. But more specifically, polyurethane is foam. What kind of foam? Foam that is used everywhere: the seats in cars; the seats in computer chairs; insulation; and my specialty (or at least what I worked on this summer) footwear. Check out the video below of polyurethane 'foaming.'</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/L2yp039XInQ&rel=1"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/L2yp039XInQ&rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Exciting, I know.<br />
</p>]]>
<![CDATA[<p>So how is this a Sestina? A polyurethane is defined by two polymeric chains, a polyol and an isocyanate, that are connected with a urethane linkage. I see the urethane linkage as the rules that are set for a Sestina, in the same way a polyurethane is only a polyurethane if the two polymeric chains are connected with urethane bonds. But in the same way that a Sestina can apply to different sets of words, polyurethanes are not limited to certain kinds of polymeric chains. This is what differentiates polyurethane foams used in insulation (typically referred to as rigid foams) from polyurethane foams used in seating (typically referred to as flexible foams). Although both foams are made up of urethane linkages, the functional groups on both the polyol and the isocyanate can be varied to create the desired foam.</p>]]>
</content>
</entry>
<entry>
<title>Sestina</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/sestina.html" />
<modified>2007-11-12T22:28:11Z</modified>
<issued>2007-11-12T22:02:09Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.35073</id>
<created>2007-11-12T22:02:09Z</created>
<summary type="text/plain">What do I notice about the form of this mapping (Sestina by Elizabeth Bishop)? Well I&apos;ll admit, before writing this post I read the Cheat, but I did read the poem before I looked at the cheat, and what I...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>What do I notice about the form of this mapping (<em>Sestina</em> by Elizabeth Bishop)? Well I'll admit, before writing this post I read the Cheat, but I did read the poem before I looked at the cheat, and what I noted down is that many of the words repeated. But I did not make the connection that they words that were repeating where the words that ended the sentences. Looking back on the poem, it makes perfect sense why I felt there was some sort of repeating tone (who couldn't pick this out? I hope it wasn't only me) throughout.</p>

<p><strong>So is this good . . . bad?</strong></p>

<p>At the same time, I both a major advantage and a major disadvantage (from my point of view) to writing a poem in this form. The major advantage being that the poem is focus around one thing, the story that can be told by your same selection of words, they resonate throughout the poem, but can be used in differing ways throughout, depending on your level of creativity. The major disadvantage is directly tired to this: the poem is based around that set of words that you chose. For someone like myself, for which writing poetry can be quite a challenge, any limits or rules for the form in which the poem can appear makes the task increasingly more difficult.<br />
</p>]]>
<![CDATA[<p>This mapping provides a repetitive platform for a story to be built around a few words. By specifically structuring the way that the words must fit into the poem, a map is created of whatever your desired topic is.</p>

<p><strong>Comparisons?</strong></p>

<p>The one major difference for myself between the two poems is that the Fish using many different words to describe one thing, the fish. Whereas Sestina is using the rest of the words in the poem to describe those words that were chosen to repeat throughout. I feel that the mapping (form) of the Fish is a lot more free, and is able to fall together in a larger number of ways than the Sestina. The Sestina though, has the backbone of the poem that is set up before the rest of the poem has come together, providing direction for which the form will take. Both showcase a different way of mapping, using distinct styles.</p>]]>
</content>
</entry>
<entry>
<title>Gone Fishing</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/gone_fishing.html" />
<modified>2007-11-12T20:07:09Z</modified>
<issued>2007-11-12T19:29:12Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.35059</id>
<created>2007-11-12T19:29:12Z</created>
<summary type="text/plain">I chose to specifically look at lines 34-40, of Elizabeth Bishop&apos;s poem The Fish, which corresponds to the description of the eyes of the fish. In the original presentation of the poem, it read: I looked into his eyes which...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>I chose to specifically look at lines 34-40, of Elizabeth Bishop's poem <a href="http://bcs.bedfordstmartins.com/virtualit/poetry/fish_elements.html"target="_blank">The Fish</a>, which corresponds to the description of the eyes of the fish. In the original presentation of the poem, it read:</p>

<p>I looked into his eyes<br />
which were far larger than mine<br />
but shallower, and yellowed,<br />
the irises backed and packed<br />
with tarnished tinfoil<br />
seen through the lenses<br />
of old scratched isinglass.</p>

<p>When I read and try to analyze this section of the poem, I notice that at least for myself, the emphasis of each line is at the end of the line. The poem is describing the <em>eyes</em>, how they're larger than the writers (<em>mine</em>), <em>shallower</em> and <em>yellowed</em>, with <em>tinfoil</em>, seen through <em>lenses of scratched isinglass</em>. It is interesting to note that when I read it, I don't feel there is an emphasis on the <em>irises</em>, even though this is what is specifically being described in the subsequent lines, because of the location of the word and how I read the poem. What I take away when I read, is that the important part of each line is built around what it is describing at the end of the line.</p>

<p>When I look at the corresponding lines of the poem in the <a href="http://forkergirl.typepad.com/limited_fork_101/files/bishop_fish.pdf"target="_blank">reconfiguration</a>, my understanding of this allness becomes drastically different. </p>]]>
<![CDATA[<p>The emphasis on the first line remains the same, since the first line in the reconfiguration remains unchanged. But this is where the similarities end. When I read the next line, 'which were far', more emphasis is placed on far with the spacing creating a sort of, drop off, something of an apprehension of what will come next. 'larger than mine' still carries the same context, but the spacing serves to exaggerate (or possibly more accurately describe?) the size difference, how <em>far</em> larger the fish's eyes are. The same effect is created in the same line with the pauses after <em>shallower</em> and <em>yellower</em>, the spacing serves to specific and distinguish each word and each description. The <em>irises</em> in the reconfiguration stands out, and is related more, in my opinion, to <em>shallower</em> and <em>yellower</em> than to <em>backed and packed</em>, which was the intent with the original poem. The spacing after <em>backed and packed</em> puts more emphasis on the <em>with tarnished tinfoil</em>, better describing what is seen through the lenses. The last line, and its placing is interesting. When I read it, even after several times, its hard to describe the connection it has with the rest of the reconfiguration. It does not start at the beginning of the line, and could also be seen as misplaced. Its presented in such a way that one needs to go back to the previous lines to understand how the line fits in and what it is supposed to be interpreted as. </p>

<p>Overall, the reconfiguration conveys <strong>The Fish</strong> much differently than the original poem. Its interesting to see the effect that changing the spacing can have on a poem. In the first poem it was written and presented in such a way as to emphasize certain words and objects that were being describe. With the addition of a few tabs and extra spaces, the meaning of certain parts of the poem, like the one I described above, can be completely changed.</p>]]>
</content>
</entry>
<entry>
<title>Mapping: The Inner Life of a Cell</title>
<link rel="alternate" type="text/html" href="http://mblog.lib.umich.edu/~ndjames/archives/2007/11/mapping_the_inn.html" />
<modified>2007-11-11T22:45:05Z</modified>
<issued>2007-11-11T22:07:53Z</issued>
<id>tag:mblog.lib.umich.edu,2007:/~ndjames/5840.34987</id>
<created>2007-11-11T22:07:53Z</created>
<summary type="text/plain">One of the things that I have tried to do with English 240 so far is make connections outside of the class and look to make those connections with what most would consider nontraditional poetry. Being an Engineering student, this...</summary>
<author>
<name>ndjames</name>
<url>web page</url>
<email>ndjames@umich.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-us" xml:base="http://mblog.lib.umich.edu/~ndjames/">
<![CDATA[<p>One of the things that I have tried to do with English 240 so far is make connections outside of the class and look to make those connections with what most would consider nontraditional poetry. Being an Engineering student, this opens up many possibilities to try and find the rhythm and poetry in things that might not be looked at from this point of view. One example where I recently found this hidden poetry was in the short animation titled 'The Inner Life of a Cell' produced by Harvard BioVisions, which can be viewed below.</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/kxSLw1LMvgk&rel=1"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/kxSLw1LMvgk&rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>To an average observer, it might just appear to be a short video clip with bridges building, rivers flowing and other organisms crawling around, but of course it is much more complex than that. For myself, the realization came after the initial wow factor wore off. Once I got a chance to think about what was happening as I was watching is when the biggest revelation came, and my engineering background took some of the fun out of watching everything crawl across the screen. The things that were 'crawling' and 'building' were just the result of a series of chemical reactions. When watching the video a first time, things seemed to move about with a mind of their own, each piece thinking by itself and working together to accomplish a goal. But then I was reminded of the title, and what was actually happening. My limited understanding of BioChemistry limits me somewhat, but with that basic understanding, the reason that everything is moving the way it is, and doing the things that they're doing, is all driven from the chemistry behind it.</p>

<p><strong>Mapping???</strong></p>]]>
<![CDATA[<p>Yes mapping! The entire video is a map. What the video represents is a rather cinematic interpretation what the chemical reactions going on within a cell look like. The goal of this 3D interpretation was to help people who are not chemists or molecular biologists gain an understanding of what is actually happening inside cells. Still though, the same dilemmas are encountered as when trying to map a more traditional poem, different people have different interpretations. To the average person, the clip will probably just appear to be a video of things moving around inside a cell. But to someone with an understanding of the science behind it, they might feel its accurate to what is happening, try to make the connections to what is going on with each piece, or even have a critique of what isn't realistic and what could be changed to make the clip a better representation. </p>

<p>The clip with an explanation of what is going on at each step can be viewed below.</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/UB6G9GD2KFk&rel=1"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/UB6G9GD2KFk&rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]>
</content>
</entry>

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